“Judas Kiss:” The New New-Queer Cinema

BY VICTOR HOFF   In general, the history of queer cinema reads like a never-ending saga of homophobia: murderers (“Rope,” 1948), psychopaths (“The Fan,” 1980), both (“Cruising,” 1981), limp-wristed pansies (“Partners,” 1982), manic depressives (“The Children’s Hour,” 1961) and just about every other pathology one can evoke. Hollywood was unapologetic in its cruel depictions of…

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