A true labor of love

Sitting down to talk with writer-director-executive producer (and one-time British boy-band singing sensation), David W. Ross, you get the sense that queer cinema has long since moved passed its awkward, self-conscious adolescent stage and morphed quite naturally into adulthood. I Do, the latest project from David, addresses one of the many by-products of DOMA, the…

Read More

“Judas Kiss:” The New New-Queer Cinema

BY VICTOR HOFF   In general, the history of queer cinema reads like a never-ending saga of homophobia: murderers (“Rope,” 1948), psychopaths (“The Fan,” 1980), both (“Cruising,” 1981), limp-wristed pansies (“Partners,” 1982), manic depressives (“The Children’s Hour,” 1961) and just about every other pathology one can evoke. Hollywood was unapologetic in its cruel depictions of…

Read More