‘Scottsboro Boys’ cakewalk into town
The opening measures of Kander and Ebb’s The Scottsboro Boys captivates with the simultaneous presence of the tragedy’s 1930s vaudeville act, 1950s finely ironed resistance and, most profoundly, our submerged present day fickle tolerance of black and brown. Sound like heady stuff? It’s not. Under director Susan Stroman’s incandescent direction and period-infused choreography replicated by…