I’ve been put in the position of thinking about musical anthems in past weeks. That’s because Kate Pierson of the B-52s released a song planned to be included in her upcoming solo album – a song she hoped would become a “trans anthem.” The name of that song is “Mister Sister.”
It’s strange to think of life in terms of anthems. All of our lives are more complex than three to five minute songs, but many of us have a song or three that is a theme song or anthem for us. And, maybe it’s a community anthem as well.
I’m older than 20, so I tend to think older songs when I think about anthems. When I think of anti-war anthems, I think Country Joe McDonald’s “Feel Like I’m Fixing To Die;” when I think about student anthems, I tend to think about Alice Cooper’s “School’s Out” and Nirvana’s “Teen Spirit;” when I think about LGBT community anthems, I immediately think of Queen’s “We Are The Champions.”
Pierson’s stab at a trans anthem hit the trans community with a thud. “Misgendering is always wrong,” wrote Jamie Cooper Holland –a queer and trans writer, musician, audio engineer, activist and student from Berkeley, Calif. – for the Huffington Post. ‘’’Mister Sister,’ beginning with the title itself, is a reminder of the constant water-torture drip that trans people endure day in and day out when we’re addressed as the wrong gender.”
Which, of course, is a bad starting point to begin with. Trans women are women; trans men are men; referring to trans women who identify with the honorific “Ms.” rather than the honorific “Mr.” isn’t a really ingratiating way to begin a community anthem.
And, creating a song one hopes to be a trans anthem that defines the trans community only in terms of those who transition from male to female … well, that erases trans masculine and genderqueer experiences. Basically, we’re not all sisters.
But then there are the tropes of the lyrics, as well as the video, for the song. The words and imagery focus on the appearance of trans women reflected back to them in mirrors.
“[A] young transfeminine person clicking on this supposed ‘trans anthem’ would be made to feel like a costume, a fraud, worthless,” wrote Mya Adriene Byrne, a trans woman, performing artist and writer for The Advocate, “ –as I did too in that moment, struggling to remove myself from the swirl of self-doubt and self-hatred that comes from having one’s existence invalidated by inaccurate portrayals of trans lives.”
What reflects back to the hearts of many trans people is internalized transphobia; internalized transphobia many of us have to confront and deal with in our coming out processes. An embraced trans anthem isn’t going to validate any misgendering societal tropes about external appearances; an embraced trans anthem isn’t going to incorporate the societal misconception that trans people’s lives are inherently deceptive.
So, maybe trans anthems should originate in trans community.
There are literally dozens of trans written rock, rap and folk songs written and performed by trans people that could be considered trans anthems; everything from Coyote Grace’s Joe Steven’s “Guy Named Joe” to Heidi Barton Stink’s “Labels;” Angelica Ross’ “When Two Worlds Collide” to The Cliks’ Lucas Silveira’s “Still.” Mya Adriene Byrne and Mitch Kellaway over at The Advocate identified 37 songs written and performed by trans artists that could be trans community or personal trans anthems, and that list wasn’t by any means exhaustive.
My personal trans anthem wasn’t found on that list of 37 songs. My personal trans anthem is the song written and performed by Venus DeMars fronting All The Pretty Horses. It’s “If God Were Caught” from All The Pretty Horses’ 2002 album Creature.
I know you try…
sometimes you’d rather die.
And life is a lie.
When night is through
all this will be true.
For me, the lie is who I was trying to be before transition; the pathway through that transition often felt like night, and the truth of who I really am was found in and through that darkness.
So, my own thought on Kate Pierson’s hope that “Mister Sister” would be a trans anthem: just please leave it to the trans community to write, perform and embrace our own anthems.
The song is not about transwomen – it is a social statement about dysphoria- it’s about ALL PEOPLE WHO SUFFER THIS AFFLICTION OF NOT FITTING IN THEIR SKIN….men- women- children- straight – gay – whatever —-kate was asked by a blog site to comment on a TRANSWOMAN’s statement that THEY wished it would become a “trans*” anthem – it reflected her feelings…and kate said sure, that would be great! Because she is a kind and inclusive human being–
transwomen are not what the visual is about.. It includes ALL people who feel betrayed by the mirror.. The children and multi racial cast present this symbolically- I’m not sure why one particular group of 99% white transwomen (Not one transmale? ) would ever assume they would be the subject of any song written by a non transwomen? Its Very telling that the most vocal are using Kate’s name and this complete twisting of artistic expression to promote their own public visibility and themselves as performers — great for them! A platform- but don’t scapegoat a 30+ year pop icon that has done more for the HER OWN LGBQ community than anyone speaking ignorantly out against her.
Having transgenderism in your home makes you heart-sensitive to the subject. Kate’s wonderful song lends the genuine empathy of an ally. Being a musician, she understands the limitations of time for an MP3 single. Within these parameters, Kate hits many of the early transgender commonalities – exploration of the ‘other side ‘- agonizing over being one sex of spirit and assigned to the other- longing to be identified as a “beautiful” girl.” Ambiguity is a trademark of B-52 song lyrics – here, well, it is ambiguity and it isn’t. “Beautiful” is a metaphor – not only for being a “beautiful girl” in the mirror, but self validating beauty – the kind that is not only felt inside but seen – outside. Mister Sister is a pastiche of angst, agony, understanding and a modicum of hope. Kate is a longstanding friend and supporter of the LGBTQ family. This topic was something she did not have to take on.
Thank you so much, Kate.
This enlightened opinion should be posted on the smear blog being allowed on huffington post by the few white privileged transwomen who are desperate for any platform – at any cost.. sad they chose the wrong artist to scapegoat…it’s going to come back around and bite them —legions of fans who are touched- worldwide – by her visionary talent are circling -clearly her purity of spirit is not in their spectrum of openness or perception. If I thought every song I heard was about me I’d be a very miserable egomaniac …
Maybe this time! Kelly Warren
I can’t remember her name? When I was going through transition this was one of my favourites, and Shattered Glass.or United we Stand.